The LMC+ plug-in brings a new and significantly improved version of the classic SSL Listen Mic Compressor, originally found in the center section of the legendary SL 4000E console, to your DAW, with a variety of new creative tools for artists, producers and engineers.
The HF Compressor plug-in emulates the high-frequency smoothing circuitry of the acclaimed SSL Fusion stereo analog coloring processor, bringing the sought-after analog round sound to your DAW.
With tape like roll-off, smooth compression and maximum transparency, the HF Compressor plug-in gives you the ability to tame harsh, brittle high frequencies, creating a smooth, refined top end in your stems, mixes and masters, quickly and easily. .
Use X-OVER to adjust the frequencies the HF Compressor affects, dial in the right amount via THRESHOLD and quickly MIX it with the original signal, or use AUTOGAIN to bring the rounded HF signal back to its original level. HF Compressor can smooth any source material without losing detail or presence.
Experience the magic of the 32C workflow with the Studio 32 Bus plugin. This plugin emulates the bus processing of the Harrison Mixbus 32C DAW, allowing you to bring a piece of the famous 32C workflow to any DAW.
With this plugin, you can add saturation, compression, equalization and tape limiter to your bus tracks, giving them intensity and clarity.
Whether you're working in music, film, broadcast, or video post-production, a multiband compressor is a powerful tool for achieving professional-quality results. Use it to control the dynamics of specific frequency ranges, which can be extremely helpful in improving the clarity, loudness, and overall sound of your audio.
Typical multiband compressors require careful management of dozens of delicate controls. O Harrison Multiband Compressor takes a different approach: the attack, release and other parameters of each band are calculated by the plugin to obtain the best possible sound. Internal processing ensures that the combined signal is phase accurate and has a flat band. The result is a much more natural sound, allowing you to control problematic frequency ranges without detracting from the character of your instrument. And it works with surprisingly few controls: locate the problematic frequencies, choose the amount of correction to apply, and go!
